Goodbye, Mr. Regret
Chapter 525
As for the brooch, she never accepted it. Just the sight of it made her angry.
And then there was that last gift bag left unopened on the bedroom Christmas tree.
"You did nothing wrong-it was all my fault. Go take care of it," Timothy said, ending the call. He bought himself a ticket to an early screening.
At the theater's promotional booth, he queued up to claim a fan gift-merchandise inspired by the movie's characters. Timothy received a glass bottle ornament with a tiny photo inside: the film's main characters, mother and son, smiling together. The glass sparkled in the light, beautiful and delicate.
He examined the character designs. The aesthetic was unmistakably Jessica's.
It felt like all the air had been sucked from the room. He couldn't breathe; his chest ached.
Timothy's gaze drifted toward the director, Carlisle, and he couldn't help recalling the day Yates had come to deliver the film materials. Vince had swooped in, snapping up the movie rights.
Had Vince already known, even then, how closely Jessica was connected to this film?
Timothy still didn't know exactly how, but the mere thought nearly gave him a heart attack.
Back then, he'd had the audacity to tell Yates he wanted to acquire the film for Sheila, to give her top billing, all so he could find a strong, dramatic role to launch her career.
Vince had reminded him that his own wife was an animator too.
What had he said in response? That a true genius wouldn't care about such things.
isn't that Timothy? He actually came to see
is here in person, lining up for a fan gift
looks great-quick, get a
memories, oblivious to the
Lawson's name mentioned, glanced up. Sure
was Jessica's husband. Jessica had given up her career
but he kept
his way inside to collect
Yates were already seated inside the theater.
sat on
the film began, the familiar music and imagery sent Jessica's heart racing. She'd
and Carlisle had co-written the script, and he'd relied heavily on her ideas for
sweeping drama about a mother and her
thinking so much about her own son
into the story. So many scenes were
waves, every bottle containing a letter. If the letter failed to
harrowing ordeal at sea, he
film had no dialogue, relying on visuals to express everything, making every
poignant. Gavin's story threaded
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