*****

Michael

Back on the rear stairwell, we descend one level…

Another landing, again with a corridor to both sides, flanked by the ‘cells’ we saw on the security feed.

“Next one down,” murmurs Klempner. “This should be it.”

We pass under a single camera at the top of the next staircase, but it remains reassuringly off, its indicator light dark. Still, it’s unsettling to have the empty black eye follow us as we descend into the dank scent of basements everywhere.

At the bottom, the same single corridor, running right and left, doors off either side. Underfoot, slab floors are slippery with damp.

There’s no sound other than our own footsteps and, as I realise after a moment, my own heartbeat pulsing behind my ears. Down here, even the bass thump of the music doesn’t carry.

It’s cold. Not the iced night of outdoors, but a moist chill that creeps into lungs and turns breath to grey mist.

Klempner draws a fingertip through droplets hanging onto the brickwork, making a shining trail that trickles from the base, trailing fingers of water to the ground. “Looks like we're down to the river level.”

“Below it, I’d say. It's canalised here.” I try to get bearings in my head. “Could be it's just on the other side of that wall.”

And this is where they’ve kept her…

Klempner thumbs left along the corridor. “You try the doors that way. I’ll try these.”

He turns right, trying one door after another. None are locked and as doors open then close, the sound creaks, clanks then echoes away.

At the first room I try, rusted hinges complain as I turn the handle, then push. Resisting me all the way, the door opens. I already know she’s not here. This door’s not been opened since god-knows-when. Inside, all I find are stacks and files of papers; many mildewed, all yellowed, curling in the damp; battered ledgers, and ancient floppy discs, aged well past any possibility of there being a drive able to read them.

Finchby’s old business records?

The legal stuff presumably. He’s not going to keep hard copies of the kind of dealings he has…

… is he?

I pick up a ledger at random, checking the title. Winsbury Mill Inc. Purchase Ledger Y/E Dec ‘83

Not even cleaned the place out from the previous owners…

I enter the second room more easily. The door hinges are corroded, squeaking a protest as I enter. It’s a paint store: shelves stacked with tins and cans, brushes, bottles of cleaner and solvent, stepladders leaning against the wall. The walls run with damp and many of the tins are rusty or leaking.

As I back out, Klempner’s with me again. “She’s not down that way.”

“Only one door left, then.”

It’s solid. Nothing like the previous rotting remnants of a bygone time, this is new: bolts drawn at top and bottom, constructed in steel, set heavy into the wall, and with a high-grade security lock.

I run fingers over hinges and locks. “They weren’t taking any chances with her getting out.”

Klempner scratches at his scalp. “That may be my fault. I did mention to Baxter one time that Jenny had a talent for escape when she was younger.”

What do I say to that?

I have no idea.

So, I say nothing.

try the handle, just on the off chance. Of course, it doesn’t open.

already, offered out to me. “I think you should be the one to go

keyring is heavy, jingling as I work my way through Yales, skeleton

That’s the one…

internal levers clunk.

the door swings smoothly

was ready for

the ransom video. I saw the security feed in

I

I’m not.

reek of damp and rot and filth left unattended; the stink of drains and

All unmeaning, I recoil.

Don’t be a fool…

Charlotte: kneeling up from the concrete floor, supporting herself against the bare brickwork with her hands, without so much as a blanket or a towel. Her

which she’s pushed towards the drain where

us as we enter, tear-streaked, eyes swollen, Charlotte’s foetid hospital robe is pulled up around her waist

it's you. Michael… Oh, God… It’s you.” Her gaze passes to Klempner. Her eyes widen, then, her voice rising

corridor. You see to her.” He casts an eye above the door to

my shoulders, tugging out blankets and towels. I drop to my knees beside her, cradling her in my arms. “Oh, God, Babe, I'm so

my palms, pressing my lips to hers. “Let’s get you off the ground and into something warm before we do anything

Then her

is brief, as he looks at her ‘without

close as I can while the contraction passes, then tugging at the putrid robe,

around her shoulders, tightening it around herself. Then I wrap a space blanket around that; the

of this. It’ll help warm

enough to warm, but not to boiling,

What has she eaten?

Anything?

floor, a scatter of empty packets: peanuts, jerky, chips… Bar crap that’s fine as a snack with a beer, but as food for a

camera indicator remains a dull black. “We need to get out of here. And fast. It’s only a matter of time before they

less covered

indecent

Not her…

back, taking her in properly this time.

Nodding vigorously. “I'll try.”

struggles to rise, and I help her upright, a hand under each armpit. She tries to step, then cries out, collapsing on herself. “I can't. I'm sorry. I’m

“Shh… It's

are they doing this? Why do they want to

father they’re after. They took you as bait. They demanded ransom, but it’s him

eyes pass beyond

tell you everything later…” I roll eyes up to the camera, still blacked-out… “James had to do something else. We’ve come to get you

over Charlotte's belly. She tries to suppress the groan, then breaks

her upright,

off the reeking drain, unroll it to the floor. “It’s not luxury accommodation Babe, but it gets you off the ground.” A blanket over the plastic and she should be

Relatively…

Next…

as far as you can. Pull that chain tight

her father’s embrace for the first time

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