*****

Michael

Back on the rear stairwell, we descend one level…

Another landing, again with a corridor to both sides, flanked by the ‘cells’ we saw on the security feed.

“Next one down,” murmurs Klempner. “This should be it.”

We pass under a single camera at the top of the next staircase, but it remains reassuringly off, its indicator light dark. Still, it’s unsettling to have the empty black eye follow us as we descend into the dank scent of basements everywhere.

At the bottom, the same single corridor, running right and left, doors off either side. Underfoot, slab floors are slippery with damp.

There’s no sound other than our own footsteps and, as I realise after a moment, my own heartbeat pulsing behind my ears. Down here, even the bass thump of the music doesn’t carry.

It’s cold. Not the iced night of outdoors, but a moist chill that creeps into lungs and turns breath to grey mist.

Klempner draws a fingertip through droplets hanging onto the brickwork, making a shining trail that trickles from the base, trailing fingers of water to the ground. “Looks like we're down to the river level.”

“Below it, I’d say. It's canalised here.” I try to get bearings in my head. “Could be it's just on the other side of that wall.”

And this is where they’ve kept her…

Klempner thumbs left along the corridor. “You try the doors that way. I’ll try these.”

He turns right, trying one door after another. None are locked and as doors open then close, the sound creaks, clanks then echoes away.

At the first room I try, rusted hinges complain as I turn the handle, then push. Resisting me all the way, the door opens. I already know she’s not here. This door’s not been opened since god-knows-when. Inside, all I find are stacks and files of papers; many mildewed, all yellowed, curling in the damp; battered ledgers, and ancient floppy discs, aged well past any possibility of there being a drive able to read them.

Finchby’s old business records?

The legal stuff presumably. He’s not going to keep hard copies of the kind of dealings he has…

… is he?

I pick up a ledger at random, checking the title. Winsbury Mill Inc. Purchase Ledger Y/E Dec ‘83

Not even cleaned the place out from the previous owners…

I enter the second room more easily. The door hinges are corroded, squeaking a protest as I enter. It’s a paint store: shelves stacked with tins and cans, brushes, bottles of cleaner and solvent, stepladders leaning against the wall. The walls run with damp and many of the tins are rusty or leaking.

As I back out, Klempner’s with me again. “She’s not down that way.”

“Only one door left, then.”

It’s solid. Nothing like the previous rotting remnants of a bygone time, this is new: bolts drawn at top and bottom, constructed in steel, set heavy into the wall, and with a high-grade security lock.

I run fingers over hinges and locks. “They weren’t taking any chances with her getting out.”

Klempner scratches at his scalp. “That may be my fault. I did mention to Baxter one time that Jenny had a talent for escape when she was younger.”

What do I say to that?

I have no idea.

So, I say nothing.

handle, just on the off chance. Of course, it

you

is heavy, jingling as I work my way through Yales, skeleton

That’s the one…

then turn again as the internal levers clunk. Then I try the

sound, the door swings smoothly

was ready for

saw the security feed in

thought I was

I’m not.

of damp and rot and filth left unattended; the stink of drains

All unmeaning, I recoil.

Don’t be a fool…

or a towel. Her manacled ankle is swollen red,

cardboard she’d used to protect herself is a foul mush which she’s pushed towards the drain where

eyes swollen, Charlotte’s foetid hospital robe is pulled up around her waist as she screams through a

God… It’s you.” Her gaze passes to Klempner. Her eyes widen, then, her voice rising in pitch. “They left me here. Left me alone. Just

see to her.” He casts an eye above the door to where a camera sits dead and

out blankets and towels. I drop to my knees beside her, cradling her in my arms. “Oh, God, Babe, I'm so

cheeks in my palms, pressing my lips to hers. “Let’s get you off the ground

knew you'd come.” Then her eyes flick to

answering nod is brief, as he looks at her ‘without looking’

her stomach. Reflexively I support her at the shoulders, holding her as close as I can while the contraction passes, then tugging at the putrid robe, “Let’s get this off you for a start. We’ll clean you up later. Let’s get you warmed up for now.” I pull the disgusting thing away,

blanket I bundle around her shoulders, tightening it around herself. Then I wrap a space blanket around that; the silvery surface reflecting oddly in

this.

heat the soup enough to warm, but not to boiling, and she

What has she eaten?

Anything?

empty packets: peanuts, jerky, chips… Bar crap that’s fine as a snack with a beer, but as food for a pregnant woman at term? And to one

the door, Klempner looks outward, constantly glancing up to where the security camera indicator remains a dull black. “We need to get out of here.

less covered now, ‘decent’ as they

indecent one

Not her…

the half-open door, looks back, taking her in properly this time. His face is a carefully schooled blank. “Jenny, can you

Nodding vigorously. “I'll try.”

I help her upright, a hand under each armpit. She tries to step, then cries out, collapsing on herself. “I can't. I'm sorry.

down again. “Shh… It's alright. It's alright.

doing this? Why do they want to hurt

They took you as bait. They demanded ransom, but it’s him they

pass beyond

everything later…” I roll eyes up to the camera, still blacked-out…

over Charlotte's belly. She tries to suppress the

Klempner over. “Hold her upright, would

the reeking drain,

Relatively…

Next…

the wall, as far as you

time in her life, “What

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