Klempner

Although I can hear chaos from down the stairs, up here now, it’s quiet. There’s no-one in the dance room.

In the pool room, the only sound is the crunching of glass under my boots. I carry on to Finchby’s office.

All empty?

It seems so.

The time?

Time to go.

Except… as I’m about to turn and leave a girl, I see her; barely a teenager, some variety of Asian, Indian perhaps. Streaming tears, she skitters out from behind the desk, making for the kitchen.

I follow her and she cringes back into the corner. I offer my hand. “I’m not going to hurt you. You have to leave.”

She babbles at me in I’ve-no-idea-what language, then abruptly, her face swings up to mine and fingers outstretched, leaps up at me, clawing at my face. Reflexively, I jerk back, and she bolts past me and out, back the way I came.

Fuck!

I dash after her, but in the few seconds, she’s gone, vanished.

Where did she go?

Out?

Or somewhere deeper inside?

I check my watch… Three minutes…

Christ!

I have to find her… If she’s on the stairwell, perhaps I’ll hear her. I turn for the bar, heading for the stairs up and down, and there…

Fuck.

Baxter.

I reach for my Glock… And it’s not there.

Damn… When did I put it down?

Baxter flashes brows. And the knife in his hand. “Going somewhere?”

“I was planning on leaving.” I slip the knife from my belt. “Your friend Finchby has already left the building. I believe the money may be with him.”

“I’m not going to weep over Finchby. And I didn't do it for the cash. Well… mainly not for the cash. And I have my half anyway.”

We circle, eyeball to eyeball.

Make the first move?

Wait for him?

I move slowly, watching for the twitch of the hand. The nudge of the shoulder. The tell that he's going to stop talking and...

He slashes out… moves fast…

But it’s a feint and we both know it, calculated to draw a reaction from me.

Testing me…

My speed…

My reactions…

Younger than me...

How much by?

Ten years?

His knife...

maybe eight inches. Well cared

Well used…

Left-handed…

that gives him

against right-handers.

Hard. Fast. Teeth bared.

he follows through, but I grab him by the arm. We grapple. His blade

close, I smell

Sweat. Sour.

sour scent

Not excitement.

Fear.

me and suddenly I'm overreaching… off-balance… and

lash for his neck but as he swings away, my fist

my advantage, I bully forward, reaching for his blade, slashing

my right hand and he twists away, still

The other knife...

Ambidextrous?

he swerves away from my

the rib cage

Got you, you bastard…

it’s her. The Indian

pelting for the exit, apparently blind to me and Baxter, she charges between us and I twist away to

back, my foot skids on

Drinks slops?

Blood?

In slow motion...

my arms wind-milling for

I go down...

on

My gasp as his blade slices across

rasp of

The metallic tang

Whose?

Mine…

hovers, enjoying his moment,

at the vein, he reaches into his jacket,

My Glock?

my forehead, he backs

use the

got the

up on my elbows I swing round wildly,

There are none.

up, I’m staring straight up the barrel of my own fucking gun and to

Is this it?

this

all the ways I could have died

for something I

Live by the sword…

how the mind works at these moments. The brain

think I’m

the gun looms close and huge. The rest of the world vanishes around me.

My throat tightens…

in equal measure… “A hero with a gun and a knife against an unarmed

I know

swing to its owner. So

spiked heels. The matching skirt just clears the crotch and the zip-front leather vest hugs a narrow waist

over smooth white shoulders and frames a face made up with emerald eyes painted Goth-dark

“Mitch?”

admit it.

So does Baxter.

have been full of women offering their all. But nothing compares to Mitch in all her

I have never seen her dressed like this, not even in her ‘professional’

little curved to strike a pose. And with an eye on Baxter that dares him

a finger

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