Michael

The Ahhh marches across Klempner's face.

Footsteps sound outside, drawing closer and James re-enters.

In a few minutes, he’s changed. From the winter woollens, heavy jeans and boots he was wearing before, he changed into a fresh shirt, suit and polished shoes. His face is clean, barring the swollen eye, and he’s combed his hair. And under one arm, he’s carrying a wooden box. For a second, I can’t think what it is. Then I realise…

To me, this is just my old friend James.

But what will Finchby see?

He flashes a glance at the still unconscious man. “How long before he wakes up?”

Klempner rocks a hand. “I didn’t give him much. Anytime now. Within the next few minutes certainly.”

“Good. Michael…” He snaps fingers towards the cooler. “Ice bucket.” Then he aims a finger towards the table behind our dangling houseguest.

And now I know what he has in mind.

I grin. “My pleasure.”

Klempner, obviously bemused, watches in silence as I scoop ice into the bucket and add water. I place it on the table and James drops in his toys into the chinking mix.

A groan…

Finchby stirs. “What…?”

I eye-point Klempner to a chair. He’s sucking in a smile as he takes his place in the ‘viewing gallery’.

“What’s going on?” Finchby’s eyes blink open, hazy and unfocussed, then his face sharpens as realisation penetrates. His eyes fling wide, showing the whites. “Christ…” Struggling against the restraints, he writhes and twists. But he’s going nowhere.

His eyes settle on Klempner. “Hey… Larry…” He tries for a cheesy grin but fails.

Is he going to piss himself?

Klempner smiles pleasantly. “Afternoon, Finchby. Good to see you’re back with us. Comfortable?”

The man is pasty, his breath short and quick. “Hey, Larry, what are you playing at? It wasn't personal. It was business. You know how it is.”

Klempner lifts his chin, eyes narrowing. Standing, he stalks a few paces to stand by Finchby, speaking to the side of his face.

“Yes, I do know how it is. And for coming after me, I'd have simply slit your throat and called it evens…”

Finchby’s breathing shudders…

“… But it stopped being business the moment you took my daughter and chained her up in your dungeon of a cell. You imprisoned her in conditions calculated to make her sick and to risk her child. You made it your business to demean and humiliate her…”

He draws breath. Any trace of compassion slides from his expression. For the first time, the fury shows. His voice morphs to a hiss.

“… And you planned to sell my granddaughter for parts? This stopped being business some while ago, Finchby. This is very definitely personal.”

Finchby hangs, lungs jerking and juddering. He blinks rapidly, moisture gleaming at the corners of his eyes.

He tries to speak, his throat working, then tries again. “What are you going to do, Larry?”

Abruptly, Klempner’s pleasant expression pastes back into place. “Nothing. Nothing at all…”

Finchby pants, quick shallow breaths, eyes darting here and there…

I'm going to sit back and watch what he does.” Klempner jerks his chin to James, currently lounging against a wall, arms

and shaking.

wife. Tortured her. Humiliated her. Intended to use her. And you planned to sell his daughter for organs. Call me a sceptic, Finchby, but it’s my guess he doesn’t like you

creaks open. “James, is everything…” It’s Mitch. Her words stall as she takes in

very close; staring him in the face. The vein at her

across, seizing her by an arm, propelling her back towards the

resists. “I

can tell you what you're not doing. And you're not staying here. Not for this. I'll throw you over my shoulder and carry

then dimples. Her eyes cast between me and James. “Larry, I do believe these two

with a finger. “You

sashays out of the door, throwing a comment back over her

her with his eyes,

chairs, then head for the cooler. Speaking loudly, “Want a beer, Larry? Or there's wine

sits, slinging his feet, ankles crossed, up on the table. “Beer's good

couple of bags,

“Whatever you’re opening.”

into a couple of bowls, then stack everything onto a tray. “James? A beer? I

at the table where Finchby can see him. Glancing up from where he is opening up his box, “Thank you, Michael, yes. A beer would be

table beside James’

steel, polished, they glint under the harsh lighting. One by one, he inspects the edges, testing them with his thumb.

my seat next to Klempner, knocking back a glug of beer. Then I toss back a handful of nuts before passing

sips his drink. “That's a wicked-looking set of knives, James. Well cared for, I can

up to the light, inspecting the serrated blade. “That's because these are my sushi

my speech with the bottle in my hand, waving it in the air as I speak. “You like sushi,

I've not had any for

voice loud. “You know, forget these Japanese chefs. James here makes the best sushi. That knife he's sharpening... A

“Tuna.”

tuna. It couldn't have been more than an inch thick when he started, but you know he sliced it so fine. Four slices,

the violently trembling Finchby, the sushi knife held, apparently casually, between his fingers. “So, Klempner, what exactly did you want

beer in hand, stands, moving closer to Finchby. In a low voice, “Your building is a

He’s babbling, his gaze fixed on the knife in James’ hand. “Really, I don't. Maybe he ran. Maybe he’s just dumped

takes his

the table then chooses

blade under the top button of Finchby’s shirt, then slices. The button pops off and he moves down to the next. One at a

sobs. “Larry, please. I don't know where

know where we can find him, well… what use are you to us? I don’t see either of these two paying

one arm, then the other. A slash across the shoulders and the shirt falls apart, so much waste fabric.

knife in hand, looks

memory coming

“Larry, I don't know.”

James...” He waves in a

the saw-tooth knife, picking up his original. Face impassive, standing square on, he sets the point to the hollow in

“No!”

want to

very slowly… he draws the

cuts. The most delicate of lines, drawn from the clavicle, centred down the breastbone and stopping at the navel.

too sharp, the cut too

say?”

know. I don't

Klempner waves his bottle at

“Nope. Carry on, James.”

behind the screaming, panicking, shuddering man. “I told you. Don't move.” He meets my eye, holding it for a second then, putting down the knife, draws his next tool from the

slow gestures, he draws it down the back of the shrieking Finchby, following the line

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