Let's Get Married

Chapter 696: Aren't You Sad at All

They are feeling the pain and enduring it.

Karl seems to be standing at the center of the storm. He frowns and tries his best not to lose control. "Maybe you should go in and say goodbye to him."

With that, he moves aside and leaves the door open.

Amelia has no strength left. Held up by Florence and her husband, she is almost half-dragged into the emergency room.

The man originally standing beside Amelia does not move at all. He fixes his eyes on the door in front of him-the door which was tightly closed, but is now open...

His desire is so strong that he even hallucinates, as if he has seen Adonis lying in bed being pushed out of the emergency room. Adonis has always been lucky, doesn't he?

But not this time.

Adonis, the man who had been with Rex for more than thirty years, left this world.

Eaten up with diseases, Adonis leaves this world.

Departure is such a heavy word, but with Adonis left, nothing has changed. It is just that he is gone. Other than Rex and the others, no one knows about his departure, and no one cares.

Thinking of this, Rex is almost on the verge of collapse.

For a moment, Lily doesn't have the guts to touch him. She is afraid that this man will collapse upon her touch.

But she has to wake him up. Otherwise, Rex will only seal himself in a shell.

his back extremely gently, saying, "Let's go in and

isn't true, right?" He forces out a sentence despite the taste of blood

all of this is not true. Adonis is still here, and

Adonis has reached the end of his life. He

crying or laughing. He says, "Yes, he has left. The pain is for

he still

grabs his arm and says firmly, "Rex, can you go in and take a

question, Lily does not intend to give him any minute to

then face it now. He shouldn't run away and

him feel better, so it's better for

bed on which Adonis is lying. The lights for the operation has been extinguished and replaced by a normal soft light. There is

instruments and masks on Adonis have been taken off. He just lies there in

face are far too obvious. His breathing has stopped, and he

Florence are already crying at the side. Rex stands at the end of the bed

present. In just a few hours' time, they

pull herself together. Her mind has begun to collapse. She looks at Rex, who is silent, and points at him, crying loudly, "Your grandpa is gone for good! Aren't you sad at all? You

the man's fingers. Hearing Amelia's unprovoked accusation, she feels so painful, as is someone has imprinted her

but she shouldn't transfer her pain to another person. Moreover, she knows

no longer endure and is about to speak up for Rex, the

in pain, but doesn't

beside her. Rex fixes his gaze on Adonis, as if he is trying to remember this scene. He wants to imprint Adonis deeply into his mind. He does not refute

and even Karl

He does not even try to explain. To him, the quarrel now is the

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