Masters & Lovers Box Set Three

Mitch

She descends the stairs as if the devil is behind her…

He is…

She risks a look up; the briefest of glances. She can’t see him, but the clang of pursuit echoes above her.

And she runs…

Down two stories, three. Almost to ground level… and there… As she hits tarmac… a door close by… An emergency exit swings open, a body erupting out of it…

Frank.

He canons into her, grabbing her by the waist, swinging her around.

“Mitch…”

“Don’t stop.” She jerks a head up to where Klempner rattles down the steps after her. “Where’s your car?”

“Basement, but the keys…”

“Got them. Move.”

The pair swerve, u-turning back into the stairwell, barrelling downwards. From above, the sound of a slamming door; echoing boots on concrete

They burst into the parking lot.

“Where?” She peers into the low dark space.

“There.” He points, still running, snatching at her wrist, towing her along. From behind another crash from a swinging door. From off-side, Bech appears with Malory, both with guns in their hands.

The pair dash from one grey concrete pillar to another; stooping, running at a crouch, dodging between corridors of vehicles; vans, station wagons, saloons… Then, a sports car; shiny, bright red and low…

A crack behind her. A whistle…

Mitch shrieks and drops as the bullet skids over the door of the two-seater, taking paintwork with it…

Klempner’s voice, reverberating through the low space. “Put the fucking gun down. Hurt her and I’ll gut you.”

… but she keeps moving…

Frank is ahead of her. For a moment he skids, foot sliding over a patch of oil. Slipping, he falls but catches himself on the handle of the nearest door, then, “There… Keys!”

She tosses them across and twisting, he catches them one-handedly, pointing ahead to his own 4x4. Lights flash orange, beeping and the crunch of disengaging locks resound through the low-ceilinged space.

She tumbles into the passenger seat.

“Stay down.” Frank engages and with the screech of tortured rubber, the car careens down the ranks of vehicles.

across, sprinting for the exit. Silhouetted against the

to the black-burned stripes on the pitted concrete. Slamming his fist onto the horn, it shrieks defiance as the car rockets

he runs after them, squinting into the sunshine

with him, Malory wheezing behind. “We can’t

lashes out with a foot, planting his boot in

in on himself, Bech hisses through his teeth, winded; no words, but he

boot in your guts. Now get up and

*****

Charlotte

Kirstie. I’m trying to find Charlotte. Is she

but I interrupt her.

Mr Maurio

Master cocks a

who handled my

earth could they

what

he needs to speak with you. Should I send

“Yes, of course.”

frowning, “You don’t have anything outstanding from your divorce

see how I could. And if there was anything, I’m sure Chad would

sucks in his cheeks. “Would you

I want to sit in

would like to, yes,

wearing a dark grey suit and a professional

“That’s right.”

hand outstretched. “Maurio Vincenzo. You dealt with my father when

shake it. “Pleased to meet you. I’m a bit baffled though. Surely everything to do with my divorce

up a hand. “This isn’t to do with your divorce, but another matter entirely. Although it was your estranged husband

room

us in, to the sidelong glance

“It’s fine,” I say.

offence, but you and I have not met before and I must establish your identity. I understand you are currently known as ‘Charlotte

“That’s right.”

can

to. But

please give me your signature as Jennifer

paper. “Your original petition for divorce,” he comments. “And that’s fine, Mrs Summerford. Now…”

“Right… So?”

it. “So, I hold here the will deposited with my firm

and my Master stirs

his spectacles at me…” Your old school-teacher I understand…” He

throat tightens. “Yes,