Masters & Lovers Box Set Three

Mitch

She descends the stairs as if the devil is behind her…

He is…

She risks a look up; the briefest of glances. She can’t see him, but the clang of pursuit echoes above her.

And she runs…

Down two stories, three. Almost to ground level… and there… As she hits tarmac… a door close by… An emergency exit swings open, a body erupting out of it…

Frank.

He canons into her, grabbing her by the waist, swinging her around.

“Mitch…”

“Don’t stop.” She jerks a head up to where Klempner rattles down the steps after her. “Where’s your car?”

“Basement, but the keys…”

“Got them. Move.”

The pair swerve, u-turning back into the stairwell, barrelling downwards. From above, the sound of a slamming door; echoing boots on concrete

They burst into the parking lot.

“Where?” She peers into the low dark space.

“There.” He points, still running, snatching at her wrist, towing her along. From behind another crash from a swinging door. From off-side, Bech appears with Malory, both with guns in their hands.

The pair dash from one grey concrete pillar to another; stooping, running at a crouch, dodging between corridors of vehicles; vans, station wagons, saloons… Then, a sports car; shiny, bright red and low…

A crack behind her. A whistle…

Mitch shrieks and drops as the bullet skids over the door of the two-seater, taking paintwork with it…

Klempner’s voice, reverberating through the low space. “Put the fucking gun down. Hurt her and I’ll gut you.”

… but she keeps moving…

Frank is ahead of her. For a moment he skids, foot sliding over a patch of oil. Slipping, he falls but catches himself on the handle of the nearest door, then, “There… Keys!”

She tosses them across and twisting, he catches them one-handedly, pointing ahead to his own 4x4. Lights flash orange, beeping and the crunch of disengaging locks resound through the low-ceilinged space.

She tumbles into the passenger seat.

“Stay down.” Frank engages and with the screech of tortured rubber, the car careens down the ranks of vehicles.

Klempner cuts across, sprinting for the exit. Silhouetted against the

on the pitted concrete. Slamming his fist onto the horn, it shrieks defiance as the car rockets to the exit. At the last moment, Klempner hurls himself to one side as they smash through the barrier and

the tarmac, cursing, he runs after them, squinting into the sunshine but

catches up with him, Malory wheezing behind.

with a foot, planting his boot in Bech’s ribs. “Use a gun near her again and it will

through his teeth, winded; no words,

be more than my boot in your guts. Now get up and find

*****

Charlotte

“Francis, it’s Kirstie. I’m trying to find Charlotte. Is

but I interrupt her. “Yes, I’m here,

you. A Mr Maurio Vincenzo. He says

cocks a questioning

who handled my

earth could

say what it’s

needs to speak with you. Should I send him

“Yes, of course.”

have anything

could. And if there

“Would you like me to

to sit in with

you would like to, yes, of

doors Ssshhhh… open and a man wearing a dark grey suit and a professional manner steps out. He

“That’s right.”

hand outstretched. “Maurio Vincenzo. You dealt with my father when

you. I’m a bit baffled

up a hand. “This isn’t to do with your divorce, but another matter entirely. Although it was your estranged

has no appointments just now, Charlotte. The conference room is free all

Master follows us in, to

“It’s fine,” I say.

currently known as ‘Charlotte Summerford’, but my father dealt with one ‘Jennifer Conners’. I have only Mr Bennett’s word that you are the same person. You can confirm that you are the woman once

“That’s right.”

you can prove

to. But why should

now, could you please give me your signature as

old and long-abandoned name. The lawyer compares it with some paper from his case, then looks up again, smiling, holding up the paper. “Your original petition for divorce,” he comments. “And that’s fine, Mrs Summerford. Now…” He takes out another document. “As to why I am here. As I mentioned, my firm was contacted recently

“Right… So?”

up the document, punctuating his words with it. “So, I hold here the will deposited with my firm by

stomach clutches and my

rim of his spectacles at me…” Your old school-teacher I understand…” He hesitates. “As you probably know, he died

tightens. “Yes,