Mitch

She descends the stairs as if the devil is behind her…

He is…

She risks a look up; the briefest of glances. She can’t see him, but the clang of pursuit echoes above her.

And she runs…

Down two stories, three. Almost to ground level… and there… As she hits tarmac… a door close by… An emergency exit swings open, a body erupting out of it…

Frank.

He canons into her, grabbing her by the waist, swinging her around.

“Mitch…”

“Don’t stop.” She jerks a head up to where Klempner rattles down the steps after her. “Where’s your car?”

“Basement, but the keys…”

“Got them. Move.”

The pair swerve, u-turning back into the stairwell, barrelling downwards. From above, the sound of a slamming door; echoing boots on concrete

They burst into the parking lot.

“Where?” She peers into the low dark space.

“There.” He points, still running, snatching at her wrist, towing her along. From behind another crash from a swinging door. From off-side, Bech appears with Malory, both with guns in their hands.

The pair dash from one grey concrete pillar to another; stooping, running at a crouch, dodging between corridors of vehicles; vans, station wagons, saloons… Then, a sports car; shiny, bright red and low…

A crack behind her. A whistle…

Mitch shrieks and drops as the bullet skids over the door of the two-seater, taking paintwork with it…

Klempner’s voice, reverberating through the low space. “Put the fucking gun down. Hurt her and I’ll gut you.”

… but she keeps moving…

Frank is ahead of her. For a moment he skids, foot sliding over a patch of oil. Slipping, he falls but catches himself on the handle of the nearest door, then, “There… Keys!”

She tosses them across and twisting, he catches them one-handedly, pointing ahead to his own 4x4. Lights flash orange, beeping and the crunch of disengaging locks resound through the low-ceilinged space.

She tumbles into the passenger seat.

“Stay down.” Frank engages and with the screech of tortured rubber, the car careens down the ranks of vehicles.

Malory race behind, but Klempner cuts across, sprinting for the exit. Silhouetted against the daylight he stands, legs

black-burned stripes on the pitted concrete. Slamming his fist onto the horn, it shrieks defiance as the car rockets to the exit. At the last moment, Klempner hurls himself to one side as they smash through

the sunshine but already the traffic

him, Malory wheezing behind. “We can’t let them go. I’ll

drops, grunting and clutching his gut. Klempner lashes out with a foot, planting his boot in Bech’s ribs. “Use a gun near her again and it will be the last thing you do.

himself, Bech hisses through his teeth, winded;

my boot in your guts.

*****

Charlotte

buzzes. “Francis, it’s Kirstie. I’m trying to find Charlotte. Is she up

reply, but I interrupt her.

Mr Maurio Vincenzo. He says

Master cocks

lawyers who handled

on earth could they

he say what it’s about,

with you. Should I

“Yes, of course.”

have anything

I could. And if there was anything, I’m sure

cheeks. “Would you like

I want to sit in

you would like

grey suit and a professional manner steps out. He glances around, then to me.

“That’s right.”

Vincenzo. You dealt with

to meet you. I’m a bit baffled though.

entirely. Although it was your estranged husband who informed

“Richard has no appointments just now, Charlotte. The conference room is free all morning.” She gestures across.

us in, to the sidelong glance of the

“It’s fine,” I say.

as ‘Charlotte Summerford’, but my father dealt with one ‘Jennifer Conners’. I have only Mr Bennett’s word that you are the same person. You can confirm

“That’s right.”

can prove

But why should I

now, could you please give me

divorce,” he comments. “And that’s fine, Mrs Summerford. Now…” He takes out another document. “As to why I am here. As I mentioned, my firm was contacted recently by your ex-husband, Charles Bennett, to inform

“Right… So?”

punctuating his words with it. “So, I hold here

stomach clutches and my Master stirs

rim of his spectacles at me…” Your old school-teacher I understand…” He hesitates. “As you probably know,

tightens. “Yes, I knew

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