Masters & Lovers Box Set Three

Mitch

She descends the stairs as if the devil is behind her…

He is…

She risks a look up; the briefest of glances. She can’t see him, but the clang of pursuit echoes above her.

And she runs…

Down two stories, three. Almost to ground level… and there… As she hits tarmac… a door close by… An emergency exit swings open, a body erupting out of it…

Frank.

He canons into her, grabbing her by the waist, swinging her around.

“Mitch…”

“Don’t stop.” She jerks a head up to where Klempner rattles down the steps after her. “Where’s your car?”

“Basement, but the keys…”

“Got them. Move.”

The pair swerve, u-turning back into the stairwell, barrelling downwards. From above, the sound of a slamming door; echoing boots on concrete

They burst into the parking lot.

“Where?” She peers into the low dark space.

“There.” He points, still running, snatching at her wrist, towing her along. From behind another crash from a swinging door. From off-side, Bech appears with Malory, both with guns in their hands.

The pair dash from one grey concrete pillar to another; stooping, running at a crouch, dodging between corridors of vehicles; vans, station wagons, saloons… Then, a sports car; shiny, bright red and low…

A crack behind her. A whistle…

Mitch shrieks and drops as the bullet skids over the door of the two-seater, taking paintwork with it…

Klempner’s voice, reverberating through the low space. “Put the fucking gun down. Hurt her and I’ll gut you.”

… but she keeps moving…

Frank is ahead of her. For a moment he skids, foot sliding over a patch of oil. Slipping, he falls but catches himself on the handle of the nearest door, then, “There… Keys!”

She tosses them across and twisting, he catches them one-handedly, pointing ahead to his own 4x4. Lights flash orange, beeping and the crunch of disengaging locks resound through the low-ceilinged space.

She tumbles into the passenger seat.

“Stay down.” Frank engages and with the screech of tortured rubber, the car careens down the ranks of vehicles.

Klempner cuts across, sprinting for the exit. Silhouetted against the daylight he

up the ramp, adding to the black-burned stripes on the pitted concrete. Slamming his fist onto the horn, it shrieks defiance as the car rockets to the exit. At the last moment, Klempner hurls

them, squinting into the sunshine but

Bech catches up with him, Malory wheezing behind. “We can’t

planting his boot in Bech’s ribs. “Use a gun near her again and it

himself, Bech hisses through his teeth,

Next time it’ll be more than my boot

*****

Charlotte

Kirstie. I’m trying to find Charlotte. Is she

to reply, but I

here for you. A Mr

Master cocks a

lawyers who

on earth could

what

speak with you. Should I send

“Yes, of course.”

“You don’t have anything outstanding

could. And if there was anything, I’m sure Chad would have mentioned

“Would you like me to sit

want to sit in

like to, yes,

suit and a

“That’s right.”

“Maurio Vincenzo. You dealt with my father when he handled your

a bit baffled though. Surely everything to do

it was your estranged husband who informed us where we could find you. Is there somewhere we can

up. “Richard has no appointments just now, Charlotte. The conference room is free all morning.” She

Master follows us in, to the sidelong

“It’s fine,” I say.

understand you are currently known as ‘Charlotte Summerford’, but my father dealt with one ‘Jennifer Conners’. I have only

“That’s right.”

can

But why should I need

give me your signature as

for divorce,” he comments. “And that’s fine, Mrs Summerford. Now…” He takes out another document. “As to why I am here. As I mentioned,

“Right… So?”

I hold here the will deposited with my firm

my Master stirs

spectacles at me…” Your old school-teacher I understand…” He hesitates. “As you probably know, he died some years

“Yes,