Mistaking the CEO for a Gigolo

Mistaking The CEO For A Gigolo Chapter 1866

Chapter 1866 The Painting

“I think it’s Joy. You also think it’s her, right? But you still want to verify with The Four Guardians, don’t you?”

“If Joy is truly the possessor of Girin Blood, I want to know how it will affect her. I feel that Elias and the others are protecting her on purpose. Surely, they must know something?”

“Is that why you want to use this opportunity to ask them?”

Evan nodded. “Yes, I want to get to the bottom of this.”

Levant pondered for a while before saying, “They might not tell the truth, but there is someone who might be honest with you. However, it will require some sacrifices on your part.”

“Who?”

“Shermaine! She is one of The Four Guardians. Seduce her with your charms, and she will definitely tell you the truth.”

Evan thought about it. “I suppose I can give it a try.”

What!

Levant was unable to stay calm when he received such a response. He sized Evan up and said, “Am I hearing it wrongly? Mr. Evan Seet is going to use his charms on a woman?”

will still be able to

you

you

was speechless. If I can think of it, I won’t

him.

they saw Joy savoring her food with relish. Evan

is very delicious. Have a taste.” With that, she

sniff. It was the aroma of fresh fruit. Then, he took one bite and

fruit and then at Levant. Aren’t you

“Given Frida’s skills, she will have no difficulty killing a young girl. There’s no need for her to feed Joy with freshly-picked fruits. Moreover, Nicole is here. I’m sure she would have checked the fruits before giving them to

He was getting overly concerned that he was

Nicole admiring a painting nearby. Only Nicole and Joy were in the

and asked, “What are you looking at? Why is it just the

“I’m looking at this painting. Evan, can you figure out the meaning behind it?

only then that Evan noticed the details of the

painting, there was a young lady dressed in white, dancing in the garden.

couple having a date in the garden, isn’t it?” said

part is in the lower half of the painting,”

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