Regretting The Wife He Threw Away

Gallagher fell silent again.

The director asked, "Do you hate your ex-wife?"

Gallagher replied, "Yes. I do."

"Why do you hate her?"

"I hate that she divorced me. I hate that she took my son away."

The director's tone turned clinical: "When you hit your ex-wife, had you been drinking?"

Gallagher shook his head. "No."

"You weren't divorced yet. So why did you hit her?"

A twisted grin spread across Gallagher's face as he looked up at the director. The camera caught the moment-his smile cold and warped. "In my family, if a wife doesn't listen, she gets punished."

The director paused for several seconds, then asked quietly, "Did your father hit your mother too?"

Gallagher shrugged. "All the time. Right up until two years ago, when my dad died of liver cancer. My mom never even mentioned divorce. I only hit her a few times, so why did she get to leave me?"

For a moment, the director's professionalism cracked. He muttered a curse under his breath, though the editors later cut it from the final film.

The last scene of the documentary was Karen and her mother taking her son to a follow-up appointment at the hospital. The little boy was recovering physically, but the trauma of being abused by his own father lingered in his young heart.

but his mother and

showed Karen cradling her son, her mother carrying her handbag, the three generations walking side

rolled, a

low, bright stars following

ended, fading out to the sound of

and her mother took the boy and left Northborough. On Briony's advice and with her help, they settled in a quiet old town. Briony handed Karen a generous fee-enough to open a small shop and

her dream of being an action

documentary was ultimately

social media platforms. It was a risky move, but since the project

She's Mom was released

skyrocketed and the show became

than just profits-it triggered

and more women's support groups found the courage to speak out and ask for help,

organizations quickly followed suit, lending their voices to the cause. The spark lit by Because She's Mom

soaring profits—the numbers kept climbing. No one

low-budget documentary cccess.

price soared for a solid week, stunning the

struggling, third-rate company on the verge of a buyout to the

victory. Of course, amid all this positivity, a handful of online trolls accused Starlight of exploiting women's suffering for profit. But their voices were

l.ne

for the most part, people are rational and kind. Yes, Starlight reaped immense rewards from the success of Because She's Mom, but without it, the Women's