Gallagher fell silent again.

The director asked, "Do you hate your ex-wife?"

Gallagher replied, "Yes. I do."

"Why do you hate her?"

"I hate that she divorced me. I hate that she took my son away."

The director's tone turned clinical: "When you hit your ex-wife, had you been drinking?"

Gallagher shook his head. "No."

"You weren't divorced yet. So why did you hit her?"

A twisted grin spread across Gallagher's face as he looked up at the director. The camera caught the moment-his smile cold and warped. "In my family, if a wife doesn't listen, she gets punished."

The director paused for several seconds, then asked quietly, "Did your father hit your mother too?"

Gallagher shrugged. "All the time. Right up until two years ago, when my dad died of liver cancer. My mom never even mentioned divorce. I only hit her a few times, so why did she get to leave me?"

For a moment, the director's professionalism cracked. He muttered a curse under his breath, though the editors later cut it from the final film.

The last scene of the documentary was Karen and her mother taking her son to a follow-up appointment at the hospital. The little boy was recovering physically, but the trauma of being abused by his own father lingered in his young heart.

mother and

shot showed Karen cradling her son, her mother carrying her handbag, the three generations walking side by side

rolled, a

night sky hangs low, bright

fading out to

help, they settled in a quiet old town. Briony handed Karen a generous fee-enough to open a small shop and

course, Briony also told Karen that if she ever wanted to return to her dream

documentary was ultimately titled Because

it was a documentary, during post-production Briony unexpectedly suggested releasing it as a short-form series on various social media platforms. It was a

Mom was released online as a

show became a sensation,

explosive popularity brought more than

the spotlight. As Because She's Mom gained traction, more and more women's support groups found the courage to speak out and ask

to the cause. The spark lit by Because She's Mom

unprecedented buzz and soaring profits—the numbers kept

low-budget documentary cccess.

for a solid week, stunning the entire media

of a buyout to the top three in the national media rankings in just

accused Starlight of exploiting women's suffering for profit. But their voices

l.ne

the most part, people are rational and kind. Yes, Starlight reaped immense rewards from the success of Because She's Mom, but without it,

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